The Hunting Gun
Fri 7 Jun - Sun 9 JunFrom £5.00 to £40.00
Snape Maltings Concert Hall
Part of Aldeburgh Festival
Thomas Larcher’s highly-acclaimed first opera is based on a best-selling post-war Japanese novella, a universal story of deception of others and of ourselves.
Priority booking for Annual Donors from Tuesday 15 January, Friends from Tuesday 29 January, and Advanced Booking list (including e-ABL) from Tuesday 12 February. General booking opens on Tuesday 19 February at 10am. Find out more about joining us and priority booking.
Thomas Larcher music
Words by Friederike Gösweiner
after a novella by Yasushi Inoue
Ryan Wigglesworth conductor
Karl Markovics director
Katharina Wöppermann designer
Bernd Purkrabek lighting designer
Knussen Chamber Orchestra
EXAUDI Vocal Ensemble
The performance lasts approximately 1 hour 45 minutes without an interval. Sung in German with English surtitles.
A poet passes a hunter while climbing a mountain and publishes a poem about the hunter’s lonely, haunted expression. The Hunter happens to read the poem and recognises himself in it. He sends the author three letters: from his wife, his lover and her daughter. Three letters by three women to one man become a gripping fable retold in language of stark poetic simplicity as the central figure helplessly observes the unfolding tragedy, all the while clasping his gun that ‘presses the whole burden deep into the lonely man’s body and soul.’
As befits its source material, the opera’s action is often understated and stylised, set amid a ravishing but fragile backdrop of paper and the subtly shifting play of light. It is from the orchestral pit that the drama and turbulence of human emotion and interaction plays out, with a score of luminous beauty and ferocious intensity.
Larcher writes: ‘When I read the story of The Hunting Gun for the first time, I was immediately captured by its timelessness. It addresses questions encountered and recognised by absolutely everyone involved in relationships with other individuals, myself included, such as whether to stay or leave, speak out or stay silent, hold on or let go.’
‘A clear, powerful text, some striking imagery and a luminous score of great beauty and originality ensure this opera’s success’
The Hunting Gun was commissioned and originally produced by the Bregenzer Festspiele, Austria.
Main image: Olivia Vermeulen and Sarah Aristidou in the world premiere production of The Hunting Gun at Bregenzer Festspiele 2018
Photo © Anja Koehler / andereart.de
‘one of the few current composers whose work sounds like no-one else’s […] his extraordinary, arresting, communicative music is one of this century’s wonders.’
Born in 1963, Austrian composer and pianist Thomas Larcher combines extended performance techniques with contemplative harmonies – fascinated by the freedom of contemporary composition and at the same time responsive to tradition.
The winner of the prestigious Fondation Prince Pierre de Monaco Composition Prize in 2018, Larcher has said about his work: ‘My roots lie in decades of embedding the music and formal ideas of the classics. My music is communicative: it challenges the attentive listener but is meant to be readily intelligible in concert.’
Concerts featuring music by Thomas Larcher: