Update, 4 January 2021:
Snape Maltings Shops and Café are temporarily closed. We very much look forward to welcoming you back as soon as it is safe to do so. In the meantime, please do use our online shop. Read more >
Lauren, a young saxophonist from Cambridgeshire, joined Aldeburgh Young Musicians in August 2018 when she was 13. Since then, she has been involved in a diverse range of opportunities and activities, allowing her to experience different styles, genres and approaches. With the AYM team’s support, she has since found a new teacher, and has worked with some of the most inspiring and experienced saxophonists in the UK.
As an AYM, Lauren has had the opportunity to explore:
As part of AYM’s Elements day series, Lauren has engaged in An exploration of Harmony with James Olsen, Functions of Rhythm with Beth Higham Edwards, Creative Electronics in Music with Duncan Chapman, Creative Interpretation of Manuscript with Alexander Campkin, Jazz Improvisation with Trish Clowes, Liran Donin and Chris Williams, Healthy Musicianship with Matthew Jones, Folk Songwriting with Greg Russell and Jacqueline Oates, and exploring Music and Geometry with Lee Westwood and Sama Mara.
We caught up with Lauren to discuss some of her experiences as part of AYM
How did you find out about AYM?
My teacher recommended it to me as he thought it would be a good thing to do. We then looked into it and I also participated in an Aldeburgh Young Musicians workshop at my school, so found out a bit more about it that way.
What made you choose AYM?
I chose AYM because it looked fun and enjoyable, I really enjoyed the workshop day at my school and I thought it would be a great way to meet new musical people and interact with them!
What top three AYM experiences have enriched your musical life?
Through AYM, I’ve taken part in lots of different activities, including Elements days, VocalLab sessions, mentoring opportunities, Full Courses and bespoke opportunities. My top three experiences are the FolkEast course in July and August 2019, when we spent a week reimagining Peter Bellamy’s Maritime Suite for our group of 22 instruments, which we performed at FolkEast Festival. I also really enjoyed the Open Session performance as part of the Debussy Mirrored Full Course. My top experience has been meeting some of the UK’s best saxophonists through AYM, such as Christian Forshaw, Naomi Sullivan and Jess Gillam, who I’ve had since had some masterclasses with. AYM also helped in finding me a new teacher and I now have regular lessons with Christian Forshaw.
How do you find the social and residential aspects of the scheme?
Everyone is really nice at AYM, and I’ve made lots of good friends. Through AYM, I’ve formed a folk group with Vera and Rachel, and have performed with them at local folk festivals. It’s really nice to do music in the day and then go back to Elizabeth Court and chat, play games and go to the beach in the evening.
What have you learnt about music?
AYM has been able to offer me opportunities that I otherwise wouldn’t have had and has also introduced me to so many different genres and styles. Being a part of AYM has meant I have been able to develop my musical skills as I have worked with other musicians and fellow AYMs that I have also learnt from. AYM also found me a new saxophone teacher, Christian, who is great at helping improve my technique.
How does being an AYM influence your future?
Being at AYM I have heard what other musicians do, which has given me more ideas and inspiration. It has shown me that I can play in any style – so I can do anything I want to – I don’t feel restricted to one genre.